Hey! Stop working!
It’s the weekend. Just because I work a 7-day week doesn’t mean you should. Here are some notes from my leisure reading this week…
Wine Spectator: Sake
The current Wine Spectator features a section on sake, which is on the rise in America even as it declines commercially in its native Japan.
The cheap sakes that are so often served (hot, to disguise poor quality) at Japanese restaurants in the US are apparently not indicative of superlative Japanese sakes, which are as varied and interesting as wine. Their delicate flavor, which doesn’t compete with food but rather “underlines” flavors, make them perfect pairings for light fare like seafood and vegetarian dishes.
I’m hoping to track down the highly recommended Dewazakura sake (a “daiginjo” sake), which is described as having “beatuiful aromas and flavors of orange blossom, honeydew and almond.”
And of course, many of the sakes had beautiful identifiers, such as “Moon on the Water,” “Bride of the Fox,” and “Star-Filled Sky” junmai ginjo varieties, and “Dreamy Clouds” Tokubetsu junmai nigori. How can a word-lover not want to taste those?
Elle: Beyond “Girl Friday”
The April Elle had a charming interview with rising star Rachel McAdams — you gotta love an interview that ends with: “Then she vanished quite slowly, ending with a grin, which remained some time after the rest of her was gone.”
But the highlight of this issue for me was Andrew Goldman’s article “Sign of the Times,” an in-depth piece on New York Times managing editor Jill Abramson, who may be in line to be the first woman ever to helm the paper. Goldman built a thorough, and thoroughly fascinating, picture of Abramson’s life in journalism and her refusal to bend to internal or external political pressures in her reporting. It also traced the Times’ rocky recent history and the strides being made at the Times by Abramson and others against institutionalized patriarchy.
For me, the article was a push-me-pull-you of optimism and dread, with the encouraging prospects of women continuing to equalize the gender power imbalance contrasting against sobering reminders of the tenuous position of legitimate journalism in our country.
Perhaps next week I’ll have finished Michael Chabon’s The Mysteries of Pittsburgh (which is being made into a film this year) and can file a book report!
franQ said,
April 6, 2007 @ 12:09 pm
Be sure to finish reading MOP if you plan to see the film… But beware, the two are nothing alike! Michael Chabon has sold-out to Hollywood by allowing the writer/director of DODGEBALL to CHANGE 85% of his story for the Big Screen.
Join the official MOP Film Boycott! http://groups.myspace.com/MOPfilm
Contact: bechstein[at]yahoo[dot]com for more info
beth said,
April 6, 2007 @ 12:29 pm
I did finish the book, and loved it, and will probably report more on Sunday.
The reworked storyline does sound like a drastic departure from the book. I don’t know that I can join you in a full-on boycott, though; the Art is really the thing, it seems to me. Make any sense? If it’s a drastically different story but it’s still a *good* story, then I’ll still want to see it. If the film isn’t good on its own merits, I won’t want to see it. I love a faithful adaptation as much as the next gal, but I’m not a proponent of slavish faithfulness to the original. Art is organic, messy, and always growing — the film version just might capture the soul of the book, even if it cuts the storyline up and puts it back together. Or, it might be a monumental flop. [shrug]
What springs to mind is The Princess Bride, a brilliant film adapted (by the novelist himself, the inimitable William Goldman) from a fine novel. If you’ve read the novel, you’ll discover that aside from a mostly similar cast of characters and a very broadly similar story arc, the two are vastly different. Goldman knows his stuff, and transcribing the novel onto the screen would never have worked. He even changed a key portion of the ending, a piece of the novel that felt integral to the theme — dropped it entirely. And boy did it ever work.
Thanks a lot for the heads up!